Music for Ear Training Digital Media and Workbook Michael Horvit, Timothy Koozin, and Robert Nelson online drills and streaming audio
| I. Modality, pandiatonicism, free tertian harmony | ||||
| 1. Bela Bartók. Evening in the Country | Quiz No. 1 | |||
| 2. Igor Stravinsky. Vivo | 1. Carlos Chávez. Piano Prelude No. 2 | |||
| 3. Ernst Bloch. Poems of the Sea, “Waves” | 2. Claude Debussy, Reverie | |||
| 4. Claude Debussy. Prelude No. 8, book 1 | 3. Igor Stravinsky. L’Histoire du Soldat, “Petit Choral” | |||
| 5. Claude Debussy. Pour le piano, Sarabande | 4. Bronislau Caper. Green Dolphin Street | |||
| 6. Igor Stravinsky. L’Histoire du Soldat, “Marche Royale” | ||||
| II. Scalar and chordal techniques, polytonality | ||||
| 1. Bela Bartók. 7 Sketches, Op. 9b, II (See-Saw) | Quiz No. 2 | |||
| 2. Bela Bartók. 7 Sketches, Op. 9b, V (Romanian Folksong) | 1. Bela Bartók, Bear Dance | |||
| 3. John Alden Carpenter. Danza | 2. Bela Bartók. Forty-four Violin Duets, No. 33 | |||
| 4. Ángel Lasala. Trío No. 1, I | ||||
| III. Interval music, free atonality, and serialism | ||||
| 1. Igor Stravinsky. Symphony of Psalms, II | Quiz No. 3 | |||
| 2. Bela Bartok. Music for Strings, Percussion, and Celeste, I | 1. Edgard Varese. Octandre | |||
| 3. Arnold Schoenberg. Three Songs | 2. Ernst Krenek. Suite for cello solo | |||
| 4. Luigi Dallapicolla. Goethe Songs, No. 2 | 3. Luigi Dallapicolla. Quaderno, mvt. 1 | |||
| 5. Roger Sessions. Sonata for Violin | ||||
| 6. Arnold Schoenberg. Three Piano Pieces, Op. 11, No. 1 | ||||
| 7. Anton Webern. Symphony, Op. 21, II | ||||
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