Summer 1 2002 DEPARTMENT OF ENGLISH• UNIVERSITY OF HOUSTON
ENGLISH 3328: English Literature: 1800 to the Present [Sec. 06479] WHI
Class: Tuesday/Thursday 6-10 a.m., West Houston Institute

Instructor: Dr. Irving N. Rothman, Professor of English
Office: 232B-C Roy Cullen Bldg; Phone: 743-2962; e-mail: irothman@uh.edu

Texts:
The Oxford Anthology of English Literature. Vol. 2:1800 to the Present.
MLA Handbook for Writers of Research Papers.

Reading Schedule

Tuesday    May 28
Introduction
The Poetry of Willliam Blake
    Songs of Innocence and Experience, 17
    The Marriage of Heaven and Hell, 33
    America, A Prophecy, 51
    The Four Zoas, 72
    Milton, 98
    Jerusalem, 113

Thursday   May 30
William Wordsworth 124-232, 592-611
    Expostulation and Reply, 127
    Lines Composed above Tintern Abbey, 146
    Nutting, 150
    Lucy Gray, 155
    Michael, 157
    Resolution and Indpendence, 168
    I wandered Lonely as a Cloud
    Michael, 157
    The Prelude, Books 1, 2, 5, 6, 10-11, 12

Dorothy Wordsworth: 611-633
Samuel Taylor Coleridge, 233-285, 634-656
    Sonnet, 236
    The Eolian Harp, 236
    The Rime of the Ancient Mariner, 238
    Kubla Khan 254
    Christabel, 257
    Frost at Midnight, 257
    Dejection: an Ode, 275
    Biographia Literaria, 634, 641, 645 (complete)
In-Class Essay [One hour]

Tuesday    June 4
George Gordon [Lord Byron], 285-397
    English Bards and Scotch Reviewers, 287
    Lara, 290
    Manfred, 310
    Don Juan, Canto 1, 3, 4, 9
    The Vision of Judgment, 373
Percy Bysshe Shelley, 398-478, 744-762
    Alastor, 400
    Hymn to Intellectual Beauty, 408
    Mont Blanc, 410
    Ozymandias, 414
    Prometheus Unbound, 420
    Ode to the West Wind, 4547
    To a Skylark, 449
    The Sensitive Plant, 452
    The Triumph of Life, 478
Submission of electronic data search for critical essay [MLA Bibliography • Library]

Thursday    June 6
John Keats, 493-559, 762-778
    On First Looking Into Chapman's Homer
    Sleep and Poetry
    Hyperion
    The Eve of St. Agnes
    Ode to a Nightingale
    To Autumn, 556
William Hazlitt, 691-715
Thomas DeQuincey, 718-740
    My First Acquaintance with Poets, 691
    On the Feeling of Immortality in Youth

Tuesday    June 11
Alfred Lord Tennyson, 1180-1277
    The Kraken, 1184
    The Lady of Shalott, 1184
    The Lotos-Eaters, ll92
    Ulysses, 1202
    Morte D'Arthur, 1206
    Tears, Tears, Idle Tears, 125
    Idylls of the King, l258
    In Memoriam, 1226
    Maud, 1253-55
John Henry Cardinal Newman, 894-937
Robert Browning
    Soliloquy of the Spanish Cloister, 1286
    My Last Duchess, 1288
    The Bishop Orders His Tomb, 1289
    Fra Lippo Lipp, 1295
    Abt Vogler, 1351
    Bad Dreams, III, 1364
    Elizabeth Barrett Browning, 1477
Mid-Term Examination [one-hour; bring large blue books to class.]

Thursday    June 13
Thomas Carlyle, 799-857
Thomas Carlyle
    The Everlasting No, 804
    The Everlasting Yea, 809
Mathew Arnold, 996-1054
    Courage, 1375
    Empedocles on Etna, 1376
    The Buried Life, 1381
    Stanzas from the Grand Chartreuse, 1838
    The Scholar Gipsy, 1389
John Stuart Mill
John Ruskin, 940-86

Tuesday    June 18
Dante Gabriel Rosetti, 1406-11
George Meredith, 1418-1425
Christina Rosetti, 1426-29
William Morris, 1429-1437
William Morris, 1429
Algernon Charles Swinburne, 1438-1462
James Thomson, The City of Dradful Night

Thursday    June 20
Gerard Manly Hopkins, 1465-1475
    The Windhover, 1469
    That Nature Is a Heraclitean Fire, 1473
Oscar Wilde, 1129-1176
    The Importance of Being Earnest
Thomas Hardy, 1521-38
George Bernard Shaw, 1542-1612

Tuesday    June 25
William Butler Yeats, 1679-1728
    The Sorrow of Love, 1683, 1684
    The Magi, 1689
    Michael Robartes and the Dancer, 1694
    Easter, 1916, 1696
    Sailing to Byzantium, 1701
    Leda and the Swan, 1704
    Among School Children, 1705
    Crazy Jane Talks with the Bishop, 1712
    Cuchulain Comforted, 1720
James Joyce, 1679-1735
    Dubliners, 1739
    A Portrait of the Artist as a Young Man, 1769, 1774
    Ulysses, 1781
Submission of Critical Paper, 8-10 pp. plus List of Works Cited

Thursday    June 27
D.H. Lawrence, 1816-1969
    The Prussian Officer, 1819
    St. Mawr, 1834
    Poems, Piano, 1941, Snake, 1945, Figs, 1948, The America Eagle, 1950
    Pornography and Obscenity, 1957
    Apocalypse, 1968
Robert Bridges, 2027-29
A. E. Housman, 2030-2036
Wilfred Owen, 2050-53
W. H. Auden, 2091-2111
Dylan Thomas, 2121-27
Hugh MacDiarmad, 2071-75
E. M Forster, 2128-31
Thom Gunn, 2179-80
Ted Hughes 2182-83

Tuesday    July 2    Final Examination, 6-9 p.m.

Each student will be required to introduce two pieces of literature and lead class discussion on the works. Preparation for the study will include the following work:

  1. An electronic datasearch of current research in the field. (A copy to be submitted with the paper.)
  2. Selection and reproduction of three articles since 1981 which address critical points.
  3. A critical analysis of a selected portion of the work under study to be submitted either on the day of the classroom presentation or by the deadline of August 7. The study may focus on any 25 percent of a work, or on a single canto or act of a play.

The Research Paper:

Evaluation: In-class essay, May 30 15%
Mid-Term Examination, June 11 25%
In-Class Presentations 10%
Electronic Data Search, June 4 5%
Critical Research Paper, June 25 20%
Final Exam, July 2 25%

IN-CLASS PRESENTATION DR. IRVING N. ROTHMAN • DEPT. OF ENGLISH • UH

Each student will be asked to make two in-class presentations. That student's responsibility will include providing a summary of the work for distribution to other members of the class so that members build a set of notes useful in preparation for review. Each set of notes should consist of no more than a two-page, single-spaced handout.

Title of Work: Date of the Work:
Author's Name: Author's Dates:
Ruling Monarch:
Major historical events occurring at the time and dates:
Major Characters Characteristic or identifying trait
Name:  
Name:  
Name:  
Name:  

List 12-15 specific events that occur in the work:

List key poetic symbols or images and their significance:

Indicate the style of the work: _________________________________________________________

Number of books, chapters, cantos, verses: ______________________________________________

Rime pattern (iambic pentameter, tetrameter, free verse, etc.): _________________________________

Rime scheme (abab cdcd efef gg): ______________________________________________________

A memorable quotation from the work: ________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________

Signature of student making this presentation:


Date: