January
22, 2004
Playwright Lanford Wilson to join
UH School of Theatre faculty
By Eric Gerber
Staff writer
The tradition of recruiting some of the greatest
names in theater for its faculty continues at the University of
Houston. Renowned playwright Lanford Wilson has joined the School
of Theatre.
The Pulitzer Prize-winning dramatist, known for
such works as “Hot L Baltimore” and “Talley’s
Folly,” will teach two courses this spring. He will be working
in partnership with UH Distinguished Professor of Theatre Edward
Albee in preparing student scripts for Albee’s annual Playwright’s
Workshop.
“I’m excited to become part of an institution
that has such passion for supporting the theatrical arts,”
Wilson said. “I’m not sure I can get used to being called
‘Professor Wilson,’ but I’m looking forward to
working with the students. It’s so invigorating to be around
people who really love the theater.”
Wilson holds the title Distinguished Lecturer.
“We’re honored to continue the mission
of bringing the very best professional artists to this university,”
said Sidney Berger, director of the School of Theatre. “Obviously,
Lanford’s presence will be a great resource for our theater
students, but it will also help take Houston’s cultural reputation
up another notch.”
Wilson joins an illustrious School of Theatre teaching
roster that currently includes Sir Peter Hall, creator of the Royal
Shakespeare Company; Tony Award-winning Broadway producer Stuart
Ostrow; stage designer Kevin Rigdon, who has worked with the Royal
National Theatre, Steppenwolf Theatre and the Kennedy Center; and
Albee, winner of three Pulitzer Prizes for drama.
Wilson’s work, with its themes of alienation
and fading illusions, has been compared favorably to the plays of
William Inge, Lillian Hellman and Tennessee Williams.
One literary analysis of his plays, Anne Dean’s book “Discovery
and Invention,” cites several recurring Wilson themes: the
importance of individuality and personal history, the necessity
to preserve the past and learn from it and, especially, the importance
of familial support — surrogate or otherwise. The New York
Times critic has applauded him “a writer who illuminates the
deepest dramas of American life with poetry and compassion.”
Wilson began writing as a student at the University
of Chicago in the late 1950s. After his graduation, he then moved
to New York City and became involved with the off-off-Broadway scene
as a playwright, actor and director.
Wilson’s first play, “So Long at the
Fair,” was produced by Café Chino in 1963. His massive
Bohemian study, “Balm in Gilead,” with some 50-plus
characters, was staged at Café La Mama in 1965.
In 1969, he co-founded the critically acclaimed
Circle Repertory Company and served as resident playwright for three
decades. The first major success was “Hot L Baltimore,”
Wilson’s 1975 effort about a shabby hotel whose clientele
included old-age pensioners, derelicts and prostitutes.
He was awarded the Pulitzer Prize in drama in 1979
for “Talley’s Folly,” a two-character romance
that takes place in the 1940s, in which a Jewish accountant from
St. Louis woos Sally Talley, the daughter of a well-to-do, WASP-ish
family.
Wilson’s other plays include “The Mound
Builders” (1975), “Fifth of July” (1978), “Angels
Fall” (1982), “Burn This” (1988) and “Book
of Days” (2001).
Wilson’s appointment is for the spring semester
only, but Berger expressed hope that Wilson would consider extending
his affiliation with the UH School of Theatre.
“Having a talent of Lanford’s stature
here is exactly the sort of undertaking that we’re interested
in as we begin developing the Mitchell Center for the Arts,”
Berger said, referring to the university’s new $20 million
program.
Wilson was recruited by Albee to collaborate with
him in supervising this year’s Playwright’s Workshop,
the annual showcase of new work being staged by UH students.
Wilson and Albee worked together to select the students
and projects for the event. Wilson will teach the two day-to-day
courses — playwrighting and production — that help develop
the new works, and Albee will be on hand to help oversee their staging
in April. This will be the 15th edition of the Albee Playwright’s
Workshop.
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