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Faculty Artist Series: Eunghee Cho, Cello - Capturing What Remains

Friday, September 13, 2024

7:30 pm - 9:00 pm

“Capturing What Remains” explores the profound power of music as a living witness of the past. Moores School of Music faculty members Cynthia Clayton, Eunghee Cho, and Timothy Hester perform one of Franz Schubert’s final chamber works Auf dem Strom, a poem of farewell written in memory of Ludwig van Beethoven who had passed away only a year earlier. Moores students, led by Cho, in a conductorless string orchestra augmentation of Beethoven’s “Heiliger Dankgesang eines Genesenen an die Gottheit, in der Lydischen Tonart” from String Quartet No. 15 in A minor, Op. 132, a spiritual expression of gratitude for the gift of life and acceptance of mortality. The second half of the program captures the music of mourning as passages from Goethe’s “Niemand wird sich selber kennen” introduce Richard Strauss’s Metamorphosen performed by MSM strings faculty Mann-Wen Lo, Amber Archibald, Eunghee Cho, and Eric Larson alongside students Marco Hernandez (DMA ’26), Margaret Lytle (BM ’25), and Ashley Wang (DMA ’27).

Born in Davis, California, Korean-American cellist Eunghee Cho was awarded Second Prize and the special award for Outstanding Chinese New Piece Performance at the Alice & Eleonore Schoenfeld International String Competition (China). He has held the Joyce & Donald Steele Chair as Principal Cello of the Atlantic Symphony Orchestra and has performed as Guest Principal Cello with orchestras around the country including Mercury Chamber Orchestra, Boston Festival Orchestra, Dallas Chamber Symphony, Cape Symphony, and Unitas Ensemble.

Eunghee currently serves on the cello and chamber music faculty of University of Houston’s Moores School of Music, where he also directs the Moores Cello Ensemble, CelloFest Houston, and Texas Music Festival’s Chamber Music Program. Eunghee has also served on the summer teaching faculties of Texas Music Festival, Montecito International Music Festival, Heifetz International Music Institute, Texas Strings Festival, and Festival Internacional de Música Naolinco.

To learn more about Eunghee Cho and his accomplishments, please visit: www.eunghee.com

 

PROGRAM

Marcel Proust: Excerpt from In Search of Lost Time, VI. Time Regained

Margo Hickman^, performer

Franz Schubert: Auf dem Strom, D. 943

Cynthia Clayton*, soprano
Eunghee Cho*, cello
Timothy Hester*, piano

Ludwig van Beethoven: String Quartet No. 15 in A minor, Op. 132, III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der Lydischen Tonart (arranged by Eunghee Cho)

VIOLIN 1
Ricardo Montoya, principal
Daniela Yepes
Angkun Uabamrungjit
Josh Flores

VIOLIN 2
Genesis Aguilar, principal
Julia Hearn
Solhwi Park

VIOLA
Daniel Castorena, principal
José Piña

CELLO
Eunghee Cho*, principal
Benjamín Serur
Marina Burguete i Diago

DOUBLE BASS
Rachel Vickery, principal
Jen Dawn

INTERMISSION

Johann Wolfgang von Goethe: “Niemand wird sich selber kennen” (No One Will Ever Know Himself)

Margo Hickman^, performer

Richard Strauss: Metamorphosen for string septet (arr. Rudolf Leopold)

Mann-Wen Lo*, violin 1
Marco Hernandez, violin 2
Amber Archibald-Sešek*, viola 1
Maggie Lytle, viola 2
Eunghee Cho*, cello 1
Ashley Wang, cello 2
Eric Larson*, double bass

*MSM faculty
^SoTD faculty
 

Capturing What Remains - Eunghee Cho
Location
Moores Opera House
Cost
Free
Contact
msmprog@central.uh.edu