Code Unknown: Incomplete Tales of Several Journeys (2000) France
Code Unknown: Incomplete Tales of Several Journeys Image Cover
Additional Images
Director:Michael Haneke
Studio:Kino Video
Producer:Marin Karmitz, Yvon Crenn, Christoph Holch, Thilo Kleine
Writer:Michael Haneke
Rating:7
Date Added:2012-06-18
UPC:738329025120
Awards:1 win & 2 nominations
Genre:French films
IMDb:0216625
Duration:118
Picture Format:Non-Anamorphic Widescreen
Aspect Ratio:1.85:1
Sound:Dolby 2.0
Languages:English, French, German, Arabic, Romanian
Subtitles:English
LAC code:300009166
DVD or VHS:DVD
Original:original
Michael Haneke  ...  (Director)
Michael Haneke  ...  (Writer)
 
Juliette Binoche  ...  Anne Laurent
Thierry Neuvic  ...  Georges
Josef Bierbichler  ...  The Farmer (as Sepp Bierbichler)
Alexandre Hamidi  ...  Jean
Maimouna Hélène Diarra  ...  Aminate
Ona Lu Yenke  ...  Amadou
Djibril Kouyaté  ...  The Father
Luminita Gheorghiu  ...  Maria
Crenguta Hariton  ...  Irina (as Crenguta Hariton Stoica)
Bob Nicolescu  ...  Dragos
Bruno Todeschini  ...  Pierre
Paulus Manker  ...  Perrin
Didier Flamand  ...  The director
Walid Afkir  ...  The Young Arab (as Walide Afkir)
Maurice Bénichou  ...  The Old Arab
Carlo Brandt  ...  Henri
Philippe Demarle  ...  Paul
Marc Duret  ...  The Policeman
Arsinée Khanjian  ...  Francine
Florence Loiret  ...  Amadou's Friend
Nathalie Richard  ...  Mathilde
Andrée Tainsy  ...  Mrs. Becker
Elisabeth Marceul  ...  Child
Melissande Zeddam  ...  Child
Brandon Croteau  ...  Child
Sonia Chauvelin  ...  Child
Baptiste Gintzburger-Batle  ...  Child
Sarah Agogue Tasse  ...  Child
Alexandra Croteau  ...  Child
Jerome Ferreira  ...  Child
Melanie Lhote  ...  Child
José Marques  ...  Child
Guessi Diakite-Goumdo  ...  Salimata
Jean-Yves Chatelais  ...  Shop Owner
Laurent Suire  ...  Policeman
Féodor Atkine  ...  Man in Taxi (voice)
Malick Bowens  ...  Witch Doctor
Ioan Marian Boris  ...  Nicu
Monica Popa  ...  Nuta
Ada Navrot  ...  Florica
Dominique Douret  ...  David
Tsuyu Shimizu  ...  David's Friend (as Tsuyu Bridwell)
Antoine Mathieu  ...  Restaurant Waiter
Constantin Barbulescu  ...  Mihai Popa
Domeke Meite  ...  Demba
Marany Fofana  ...  Youssouf's Sister
Aïssa Maïga  ...  Black Girl with Blonde Hair
Costel Cascaval  ...  Man in the Garden
Sandu Mihai Gruia  ...  Group Leader
Daniel Dublet  ...  Uncle
Boris Napes  ...  Father in Cemetery
Isabelle Pietra  ...  Mother in Cemetery
Cristina Ioanidis  ...  Tatiana
Ion Haiduc  ...  Man in Squat
Guillaume Morvilliers  ...  Pierrot
Pascal Loison  ...  Jolly Man
Jeff Cullen  ...  Character portrayal
Irina Lubtchansky  ...  camera assistant
Giba Gonçalves  ...  Composer
Jürgen Jürges  ...  Cinematographer
Karin Hartusch  ...  Editor
Nadine Muse  ...  Editor
Andreas Prochaska  ...  Editor
Summary: Without giving anything away, let me offer a comparison to the hollywood oscar winner "Crash" because they have similar themes. They both deal with the psychological and communicative dis-functions particular to our modern, multicultural world. Both films also deal with the suffering we create through our behavior toward one another by way of our assumptions, beliefs, and prejudices.

Stylistically, however, these two films have little in common. Whereas "Crash" plays like a pilot for a tv series, weaving its characters and their stories together in support of its themes (as it holds our hands throughout and takes us where it wants us to go), "Code Unknown" is a puzzle in fragments that we must assemble ourselves from the layered information we are given. Whereas "Crash" connects too many improbable conversations and events with possible ones in order to hit us over the heads and wrench our hearts with its message, "Code Unknown" entrusts us with cinematic clues and metaphors that we must use to construct our own understanding. In "Crash" everyone tells us everything they feel and think thereby limiting the possibilities of what we are allowed to imagine. To the contrary, "Code Unknown" invites us to rely our own abilities (as perceivers) to discover what truths there are."Crash" has a few brilliant scenes, but once we have seen it there is nothing left to experience, wonder about, or really discuss. The show is over, and now we know everything about it (just as with every hollywood film) . "Code Unknown" (like all works of art) is made up of one brilliant scene after another, but more importantly it entreats us to reflect, as well as interpret. It also invites us into conversation about it, even asks us to return and discover again.... cinewest