Resnais, Alain, Albertazzi, Giorgio, Bertin, Françoise, Garcia-Ville, Luce, Pitoëff, Sacha, Seyrig, Delphine	...	(Director)
Alain Robbe-Grillet	...	(Writer)
Delphine Seyrig	...	A - la femme brune
Giorgio Albertazzi	...	X - l'homme à l'accent italien
Sacha Pitoëff	...	M - l'autre homme au visage maigre, le mari
Françoise Bertin	...	Un personnage de l'hôtel
Luce Garcia-Ville	...	Un personnage de l'hôtel
Héléna Kornel	...	Un personnage de l'hôtel
Françoise Spira	...	Un personnage de l'hôtel
Karin Toche-Mittler	...
Pierre Barbaud	...	Un personnage de l'hôtel
Wilhelm von Deek	...	Un personnage de l'hôtel
Jean Lanier	...	Un personnage de l'hôtel
Gérard Lorin	...	Un personnage de l'hôtel
Davide Montemuri	...	Un personnage de l'hôtel
Gilles Quéant	...	Un personnage de l'hôtel
Gabriel Werner	...

Comments: DFR 109

Summary: One of the most ferociously iconoclastic and experimental films of the French New Wave, Alain Resnais's 1961 feature, winner of the grand prize at that year's Venice Film Festival, is based on a script by Alain Robbe-Grillet. At its center is what seems to be a simple but unanswerable puzzle: Did its protagonist (Giorgio Albertazzi) have an affair the year before with a woman (Delphine Seyrig) he just met (or possibly re-met) at his hotel? The inquiry becomes an unsettling experiment in flattening the dimensions of past, present, and future so that any difference between them becomes meaningless, while Resnais's coldly formal but oddly dreamlike geometric compositions make space itself seem a function of subjective memory. Add to that Resnais's trademark tracking shots--long, smooth, a visual correlative of a wordless feeling--and this is a film that truly gets under the skin in almost inexplicable ways. One of the most influential works of its time. --Tom Keogh