Better Tomorrow Ii, A (1986) Hong Kong
Better Tomorrow Ii, A Image Cover
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Director:Woo, John, Cheung, Leslie, Chow, Yun-Fat, Chu, Emily, Shek, Dean, Ti, Lung
Studio:Cinema City
Writer:Hing-Ka Chan, Suk-Wah Leung
Rating:7.5 (10,193 votes)
Date Added:2012-06-05
ASIN:013131125993
Awards:4 wins & 12 nominations
Genre:Chinese films
IMDb:0092263
Duration:1:44:00
Aspect Ratio:1.85 : 1
Sound:Mono
Languages:Cantonese, Mandarin, English
Subtitles:English
LAC code:300001160
DVD or VHS:DVD
Original:original
Woo, John, Cheung, Leslie, Chow, Yun-Fat, Chu, Emily, Shek, Dean, Ti, Lung  ...  (Director)
Hing-Ka Chan, Suk-Wah Leung  ...  (Writer)
 
Lung Ti  ...  Sung Tse-Ho
Leslie Cheung  ...  Sung Tse-Kit
Yun-Fat Chow  ...  Mark
Emily Chu  ...  Jackie
Waise Lee  ...  Shing
Fui-On Shing  ...  Shing's right hand man
Kenneth Tsang  ...  Ken
Hark Tsui  ...  Music Judge
John Woo  ...  Inspector Wu
Chi Fai Chan  ...  'Little' Wang
Kwok Leung Cheung  ...  
Hsin Nan Hung  ...  Triad Member
Hing-Yin Kam  ...  Mr. Mok
Shung Fung Lau  ...  
Ming Leung  ...  
Comments: DCH 111

Summary: "I won't give you nothing, man; I give you shit," sneers charismatic superstar Chow Yun Fat, speaking English (with a De Niro accent) in his role as a New York restaurateur who won't knuckle under to the (Italian) mob. Chow plays the twin brother of the character he played in the original Tomorrow, the ultraviolent, ultraromantic ultrapopular Hong Kong gangster melodrama. And the blatancy of that device is a fair indication of the sequel's shortcomings--and of its screwy charm: this is a film that knows no shame. The bond between the natural siblings played by Ti Lung (as a reformed mobster) and Leslie Cheung (as a hot shot cop) still resonate tellingly. As a good-guy ex-thug driven batty by the slaying of his only daughter, real-life Cinema City studio chief Dean Shek gets to play a garishly extended "mad scene," foaming at the mouth, chewing on soup bones. A later episode in which a dying man crawls to a phone booth to call his wife (and newborn daughter) in the hospital must also be some kind of lurid first in the soap sweepstakes. The final 15 minutes could be the bloodiest single shoot-out sequence ever committed to celluloid. The story line hasn't been shaped to any particular purpose here, but the images have a golden Godfather-like glow, and this faintly anachronistic, all-stops-out wish-fulfillment approach to moviemaking still has a lot of power. --David Chute