Interesting Reading:
German Film & Related Topics
GERMAN FILM--GENERAL
Corrigan, Timothy, ed. The Films of Werner Herzog: Between Mirage and
History. New York: Methuen, 1986.
Corrigan, Timothy. New German Film: The Displaced Image. Austin:
Univ. of Texas Press, 1983.
Eisner, Lotte. The Haunted Screen. Berkeley: Univ. of Calif.
Press, 1965.
Elsaesser, Thomas. A History of New German Cinema. Rutgers
Univ. Press, 1989.
Frieden, Sandra, R. McCormick, V. Petersen, L.M. Vogelsang. Gender
and German Cinema. Providence: Berg, 1993.
Kaes, Anton. From Hitler to Heimat: The Return of History as Film.
Cambridge: Harvard Univ. Press, 1989.
New German Critique, No. 24-25, Fall/Winter 1981-2. Spec. Dbl.Issue
on New German Cinema.
Pflaum, H.G. and H.H. Prinzler. Cinema in the Federal Republic of
Germany. Bonn: Internationes, 1983.
Phillips, Klaus. New German Filmmakers. New York: Ungar, 1984.
Rentschler, Eric, ed. German Film and Literature. New York:
Methuen, 1986.
Rentschler, Eric, West German Film in the Course of Time. New
York: Redgrave, 1984.
Sandford, J. The New German Cinema. London: O. Wolff, 1980.
Silberman, Marc. German Cinema: Texts in Context. Detroit: Wayne
State University Press, 1995.
Wide Angle, Vol. 3, No. 4, 1980. Special Issue on New German
Cinema.
CINEMATIC TECHNIQUES
Bordwell, David & Kristin Thompson. Film Art: An Introduction.
Reading: Addison-Wesley, 1979.
Monaco, James. How to Read a Film. New York: Oxford Univ. Press,
1977.
Withers, Robert S. Introduction to Film. New York: Barnes &
Noble, 1983.
GENERAL FILM THEORY
Andrew, J. Dudley. Concepts in Film Theory. New York: Oxford
Univ. Press, 1984.
Andrew, J. Dudley. The Major Film Theories: An Introduction.
NY: Oxford Univ. Press, 1976.
Luhr, William and Peter Lehman. Authorship and Narrative in the Cinema.
New York: Putnam, 1977.
Mast, Gerald and Marshall Cohen. Film Theory & Criticism.
New York: Oxford Univ. Press, 1977.
Nichols, Bill. Ideology and the Image: Social Representation in the
Cinema and Other Media. Bloomington: Indiana U.P., 1981.
Wollen, Peter. Signs and Meaning in the Cinema. Bloomington:
Indiana Univ. Press, 1972.
WOMEN IN NAZI GERMANY
Bridenthal, Renate, Atina Grossmann and Marion Kaplan, eds. When Biology
Became Destiny: Women in Weimar and Nazi Germany. New York: Monthly
Review Press, 1984.
French, Marilyn. Beyond Power. On Women, Men and Morals. NY:
Summit, 1985.
Koonz, Claudia. Mothers in the Fatherland. Women, The Family, and
Nazi Politics. NY: St. Martin's Press, 1987.
Stephenson, Jill. Women in Nazi Society. London: C. Helm, 1975.
Wolf, Christa. Patterns of Childhood. Trans. U. Molinaro/H.
Rappolt. NY: Farrar, Straus and Giroux, 1980.
FEMINIST THEORY--GENERAL
Altbach, Edith, et al. German Feminism: Readings in Politics and Literature.
Albany: State Univ. of New York Press, 1984.
de Beauvoir, Simone. The Second Sex. New York: Bantam, 1961.
Friedan, Betty. The Feminine Mystique. New York: Dell, 1963.
Gilligan, Carol. In a Different Voice: Psychological Theory and Women's
Development. Cambridge: Harvard Univ. Press, 1982.
Horney, Karen. Feminine Psychology. New York: Norton, 1967.
Stefan, Verena. Shedding. Trans. Johanna Moore and Beth Weckmueller.
New York: Daughters Publishing Co., 1978.
FEMINIST FILM & FILM THEORY/GENDER STUDIES
de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema.
Bloomington: Indiana U.P., 1984.
Doane, Mary Ann. The Desire to Desire: The Woman's Film of the 1940s.
Bloomington: Indiana Univ. Press, 1987.
(on Fassbinder): Rayns, Tony, ed. Fassbinder. London: BFI, 1980.
(on Fassbinder): Krauss, R. & A. Michelson. October. 21. Cambridge:
MIT Press, 1982.
French, Brandon. On the Verge of Revolt: Women in American Films of
the Fifties. NY: Ungar, 1978.
Haskell, Molly. From Reverence to Rape: The Treatment of Women in
the Movies. Baltimore: Penguin, 1974.
Kaplan, E. Ann. Women & Film: Both Sides of the Camera.
New York: Methuen, 1983.
Kay, Karyn & Gerald Peary. Women and the Cinema. New York:
Dutton, 1977.
Kosta, Barbara. Recasting Autobiography: Women's Counterfictions in Contemporary
German Literature and Film. Ithaca: Cornell Univ. Press, 1994.
Kuhn, Annette. Women's Pictures: Feminism & Cinema. Boston:
Routledge & Kegan Paul, 1982.
McCormick, Richard. Politics of the Self: Feminism and the Postmodern
in West German Literature & Film. Princeton U.P., 1991.
McCreadie, Marsha. Women on Film: The Critical Eye. New York:
Praeger, 1983.
Mellen, Joan. Women and their Sexuality in the New Film. New
York: Laurel, 1973.
Petro, Patrice. Joyless Streets: Women & Melodramatic Representation
in Weimar Germany. Princeton U.P., 1989.
Rosen, Marjorie. Popcorn Venus. New York: Avon, 1974.
Theweleit, Klaus. Male Phantasies. Minneapolis: U. of Minnesota
Press.
JOURNALS
New German Critique (14, 24-5, 32-3, 34), Jump Cut, Camera
Obscura, Discourse, Screen, Monthly Film Bulletin, Sight& Sound