EARLY GERMAN CINEMA
Eisner, Lotte. The Haunted Screen. Berkeley: Univ. of Calif. Press, 1965.
Kracauer, Siegfried. From Caligari to Hitler. Princeton Univ. Press, 1947. Paperback: 1966.
Elsaesser, Thomas. A History of New German Cinema. Rutgers Univ. Press, 1989.
Hake, Sabine. German National Cinema. London: Routledge, 2002.
GERMAN FILM-GENERAL & NEW GERMAN CINEMA
Corrigan, Timothy. New German Film: The Displaced Image. Austin: Univ. of Texas Press, 1983.
Frieden, Sandra, R. McCormick, V. Petersen, L.M. Vogelsang. Gender and German Cinema. Providence: Berg, 1993.
Kaes, Anton. From Hitler to Heimat: The Return of History as Film. Cambridge: Harvard Univ. Press, 1989.
New German Critique, No. 24-25, Fall/Winter 1981-2. Spec. Dbl.Issue on New German Cinema.
Pflaum, H.G. and H.H. Prinzler. Cinema in the Federal Republic of Germany. Bonn: Internationes, 1983.
Phillips, Klaus. New German Filmmakers. New York: Ungar, 1984.
Rentschler, Eric, ed. German Film and Literature. New York: Methuen, 1986.
Rentschler, Eric, West German Film in the Course of Time. New York: Redgrave, 1984.
Sandford, J. The New German Cinema. London: O. Wolff, 1980.
Silberman, Marc. German Cinema: Texts in Context. Detroit: Wayne State University Press, 1995.
Wide Angle, Vol. 3, No. 4, 1980. Special Issue on New German Cinema.
CINEMATIC TECHNIQUES
Bordwell, David & Kristin Thompson. Film Art: An Introduction. Reading: Addison-Wesley, 1979.
Monaco, James. How to Read a Film. New York: Oxford Univ. Press, 1977.
GENERAL FILM THEORY
Andrew, J. Dudley. The Major Film Theories: An Introduction. NY: Oxford Univ. Press, 1976.
Mast, Gerald and Marshall Cohen. Film Theory & Criticism. New York: Oxford Univ. Press, 1977.
Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana U.P., 1981.
Wollen, Peter. Signs and Meaning in the Cinema. Bloomington: Indiana Univ. Press, 1972.
NAZI GERMANY
Carr, William. A History of Germany 1815-1945. London: E. Arnold, 1969.
French, Marilyn. Beyond Power. On Women, Men and Morals. NY: Summit, 1985.
Grunberger, Richard. A Social History of the Third Reich. Harmondsworth: Penguin, 1974.
Koonz, Claudia.Mothers in the Fatherland.Women, The Family, and Nazi Politics. NY: St. Martin's Press, 1987.
Reich, Wilhelm. The Mass Psychology of Fascism. Harmondsworth: Penguin, 1975.
Stephenson, Jill. Women in Nazi Society. London: C. Helm, 1975.
Wolf, Christa. A Model Childhood. Trans. U. Molinaro/H. Rappolt. NY: Farrar, Straus and Giroux, 1980.
Zeman, Z.A.B. Nazi Propaganda. London: Oxford Univ. Press, 1973.
FILM IN/ABOUT NAZI GERMANY
Avisar, Ilan. Screening the Holocaust. Bloomington: Indiana Univ. Press, 1988.
Insdorf, Annette. Indelible Shadows. Film and the Holocaust. NY: Vintage, 1983.
Hake, Sabine. Popular Cinema of the Third Reich. Univ. of Texas Press, 2002.
Kracauer, Siegfried. From Caligari to Hitler. Princeton: Princeton Univ. Press, 1966.
Leiser, Erwin. Nazi Cinema. Trans. G. Mander/D. Wilson. NY: Macmillan, 1974.
Petley, Julian. Capital and Culture: German Cinema 1933-45. London: BFI, 1979.
Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its Afterlife. Harvard Univ. Press, 1996.
Welch, David. Propaganda and the German Cinema, 1933-1945. NY: Oxford Univ. Press, 1983.
WOMEN IN NAZI GERMANY
Bridenthal, R., et al, eds.When Biology Became Destiny: Women in Weimar & Nazi Germany. NY: Monthly Rev.Press, '84
French, Marilyn. Beyond Power. On Women, Men and Morals. NY: Summit, 1985.
Koonz, Claudia. Mothers in the Fatherland. Women, The Family, and Nazi Politics. NY: St. Martin's Press, 1987.
Stephenson, Jill. Women in Nazi Society. London: C. Helm, 1975.
Wolf, Christa. Patterns of Childhood. Trans. U. Molinaro/H. Rappolt. NY: Farrar, Straus and Giroux, 1980.
EAST GERMANY
von Ankum, Katharina. "Political Bodies: Women and Re/Production in the GDR." Women in German Yearbook 9. Eds.
J. Clausen and S. Friedrichsmeyer. Lincoln: U. of Nebraska Press, 1993. 127-144.
Berghahn, V.R. Modern Germany: Society, Economy & Politics in the Twentieth Century. Cambridge: Cambridge UP, 1982.
Burant, Stephen, ed. East Germany: A Country Study. Federal Research Division, Library of Congress. Washington DC: U.S.
Govt. Printing Office, 1988.
Craig, Gordon. "Politics in a New Key." "Literature and Society." In his The Germans. New York: Meridian, 1991.
Fulbrook, Mary. Anatomy of a Dictatorship: Inside the GDR 1949-1989. Oxford: Oxford Univ. Press, 1995.
Hell, Julia. Post-Fascist Fantasies: Psychoanalysis, History and the Lit. of East Germany. Durham, NC: Duke UP, 1997.
Herminghouse, Patricia. "Legal Equality and Women's Reality in the German Democratic Republic." In: German Feminism:
Readings in Politics and Literature. Eds. E. Altbach et al.. Albany: State Univ. of NY Press, 1984.
Special Section, The Economist: "A Survey of Germany. Divided Still." Nov. 9-15th, 1996.
Sudau, Christel. "Women in the GDR." New German Critique 13 (Winter 1978). 69-82.
EAST GERMAN FILM
Allan, Sean & John Sandford, ed.. DEFA: East German Cinema, 1946-1992. New York: Berghahn, 1999.
Bahr, Gisela. "Film and Consciousness: The Depiction of Women in East German Movies." In: Sandra Frieden, et al., eds.,
Gender and German Cinema: Feminist Interventions. Vol. 1. Providence: Berg, 1993. 125-40.
Bisky, Lothar. "Mass Media and the Socialization of Young People in the GDR." Studies in GDR Culture and Society 7. Lanham, MD:
Univ. Press of America, 1987.
Byg, Barton. "What Might Have Been: DEFA Films of the Past and Future." Cineaste 17.4 (Summer 1990): 9-15.
The Cinema of Eastern Germany: The View from North America. DEFA Conference Reading Packet. Univ. of Massachusetts
DEFA Film Library, October 1997.
Kino, Special Issue 64/65 (September 1997).
Kohlhaase, Wolfgang. "Some Remarks about GDR Cinema." Studies in GDR Culture and Society 7. Lanham, MD: Univ.
Press of America, 1987.
Leonhard, Sigrun D. "Testing the Borders: East German Film Between Individualism and Social Commitment." Post New
Wave Cinema in the Soviet Union and Eastern Europe. Ed. Daniel J. Goulding. Bloomington: Indiana U. P. 1989.
Liehm, Mira and Antonin J. Liehm. The Most Important Art: Soviet Union and Eastern European Film After 1945. Berkeley:
U. of California Press, 1977. (Sections on East German Film and Socialist Realism)
Silberman, Marc. "Post-Wall Documentaries: New Images from a New Germany?" Cinema Journal 33.2 (Winter 1994): 22-41.
FASSBINDER, WENDERS, HERZOG
Elsaesser,Thomas. Fassbinder's Germany. Amsterdam: Amsterdam Univ. Press, 1996.
Goethe Institut.Rainer Werner Fassbinder: Writer, Actor, Filmmaker 1945-1982. Exhibit. R. W. Fassbinder Foundation, 1992.
Krauss, R. & A. Michelson. October. 21. Cambridge: MIT Press, 1982.
McCormick, Ruth, translator. Fassbinder. [orig. Fassbinder Reihe Film 2, Carl Hanser Verlag]. New York: Tanam Press, 1981.
Rayns, Tony, ed. Fassbinder. London: BFI, 1980.
Rheuban, Joyce, Ed. The Marriage of Maria Braun. New Jersey: Rutgers University Press, 1986.
Töteberg, Michael, and Leo A. Lensing, eds. The Anarchy of the Imagination. Baltimore: Johns Hopkins, 1992.
Graf, Alexander . The Cinema of Wim Wenders: The Celluloid Highway . Paperback, Wallflower Press, 2002
Cook, Roger F. The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition .Wayne State University Press, 1997
Cronin, Paul (ed.), Werner Herzog. Herzog on Herzog. Faber and Faber, 2003.
Corrigan, Timothy. The Films of Werner Herzog: Between Mirage and History. Routledge, 1987.
FEMINIST THEORY--GENERAL
Altbach, Edith, et al. German Feminism: Readings in Politics and Literature. Albany: State Univ. of New York Press, 1984.
Friedan, Betty. The Feminine Mystique. New York: Dell, 1963.
Gilligan, Carol. In a Different Voice: Psychological Theory and Women's Development. Cambridge: Harvard Univ. Press, 1982.
Horney, Karen. Feminine Psychology. New York: Norton, 1967.
FEMINIST FILM & FILM THEORY/GENDER STUDIES
de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana U.P., 1984.
Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. Baltimore: Penguin, 1974.
Kaplan, E. Ann. Women & Film: Both Sides of the Camera. New York: Methuen, 1983.
Kay, Karyn & Gerald Peary. Women and the Cinema. New York: Dutton, 1977.
Kosta, Barbara. Recasting Autobiography: Women's Counterfictions in Contemp. Germ. Lit. & Film. Ithaca: Cornell Univ. Press, '94.
Kuhn, Annette. Women's Pictures: Feminism & Cinema. Boston: Routledge & Kegan Paul, 1982.
McCormick, Richard. Politics of the Self: Feminism and the Postmodern in West German Literature & Film. Princeton U.P., 1991.
Petro, Patrice. Joyless Streets: Women & Melodramatic Representation in Weimar Germany. Princeton U.P., 1989.
Rosen, Marjorie. Popcorn Venus. New York: Avon, 1974.
Theweleit, Klaus. Male Phantasies. Minneapolis: U. of Minnesota Press.
JOURNALS
New German Critique (14, 24-5, 32-3, 34), Jump Cut, Camera
Obscura, Discourse, Screen, Monthly Film Bulletin,
Sight& Sound