- No. 799: Mimetic Architecture
- No. 798: The Ik Do Not Sing
- No. 797: Alcuin and
Charlemagne
- No. 796: A New Architectural
Eye
- No. 795: Hot Air Engine
- No. 794: Ellen Swallow
Richards
- No. 793: Edison's Golden
Years
- No. 792: Jefferson &
Technology
- No. 791: Senefelder &
Lithography
- No. 790: Things People Say
- No. 789: Wood
- No. 788: On the Networks
- No. 787: Stereotyping
- No. 786: Stereoscope
- No. 785: William Caxton
- No. 784: Topiary
- No. 783: Flatland
- No. 782: Nothing to Lose
- No. 781: Error
- No. 780: Old Instruments
- No. 779: Balloon Frame Houses
- No. 778: Bandar-log and
Otters
- No. 777: A Failure to Adapt
- No. 776: Carbon-14
- No. 775: The Throwing
Madonna
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- No. 774: William Beaumont
- No. 773: Godwin &
Wollstonecraft
- No. 772: Perry Collins
- No. 771: A Tale of Two Balloons
- No. 770: Christmas, 1992
- No. 769: The Paper Clip
- No. 768: A Vision of Flight
- No. 767: Medicine in New
France
- No. 766: Midwestern
Windmills
- No. 765: Eiffel after the
Tower
- No. 764: Von Braun and
History
- No. 763: Cyrano De Bergerac
- No. 762: Kelly's Converter
- No. 761: Solar Eclipse
- No. 760: Galileo, Newton & Math
- No. 759: Heloise
- No. 758: Paper Railroad
Wheels
- No. 757: Semaphore
Telegraphy
- No. 756: Ready for an
Invention
- No. 755: Luck and
Recognition
- No. 754 Burma Shave
- No. 753: Johann Gutenberg
- No. 752: Medicine in New
Spain
- No. 751: Actor Artists
- No. 750: Agassiz in the
Galapagos
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