Jean-Luc Godard, Ugo Gregoretti, Roberto Rossellini, Pier Paolo Pasolini	...	(Director)
Jean-Luc Godard, Ugo Gregoretti	...	(Writer)
Rosanna Schiaffino	...	Anna Maria (segment "Illibatezza")
Bruce Balaban	...	Joe (segment "Illibatezza")
Maria Pia Schiaffino	...	Air hostess (segment "Illibatezza")
Jean-Marc Bory	...	Husband (segment "Il nuovo mondo")
Alexandra Stewart	...	Alexandra (segment "Il nuovo mondo")
Orson Welles	...	The 'Director' (segment "La ricotta")
Mario Cipriani	...	Stracci
Laura Betti	...	The 'Diva' (segment "La ricotta")
Edmonda Aldini	...	Another diva (segment "La ricotta")
Ettore Garofolo	...	Angel (segment "La ricotta")
Ugo Tognazzi	...	Togni (segment "Il pollo ruspante")
Lisa Gastoni	...	Togni's wife (segment "Il pollo ruspante")
Ricky Tognazzi	...	The son (segment "Il pollo ruspante") (as Riky Tognazzi)
Antonella Taito	...	The daughter (segment "Il pollo ruspante")
Maria Bernardini	...	Stripteaser (segment "La ricotta")
Elsa De Giorgi	...	Productor's Wife (segment "La Ricotta")
Michel Delahaye	...	(segment "Nuovo mondo, Il")
Rossana Di Rocco	...	Stracci's Daughter (segment"La Ricotta")
Jean-André Fieschi	...	(segment "Nuovo mondo, Il")
André S. Labarthe	...	(segment "Nuovo mondo, Il") (voice)
Vittorio La Paglia	...	The Journalist (segment "La ricotta")
Tomas Milian	...	Centurione (segment "La ricotta")
Franca Pasut	...	Visitor (segment"La Ricotta")
Gianrico Tedeschi	...	The psichiatrist (segment "Illibatezza")
Carlo Zappavigna	...	Carlo, Anna-Maria's boyfriend (segment "Illibatezza")
Mario Bernardo	...	Cinematographer
Tonino Delli Colli	...	Cinematographer
Jean Rabier	...	Cinematographer
Luciano Trasatti	...	Cinematographer
Nino Baragli	...	Film Editor
Agnès Guillemot	...	Film Editor
Carlo Rustichelli	...	Composer
Danilo Donati	...	Custome Designer
Maria Teresa Corridoni	...	key hair stylist
Charles L. Bitsch	...	Assistant Director
Sergio Citti	...	Assistant Director
Carlo Di Carlo	...	Assistant Director
Renzo Rossellini	...	Assistant Director

Summary: This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard's 'New World' ('Il Nuovo Mondo') illustrates a post-apocalypse world the same as the pre-apocalyptic one but for an enigmatic change in attitude in most people, including the central character's girlfriend. In Pasolini's 'Curd Cheese' ('La Ricotta'), a lavish film about the life of Jesus Christ is being made in a poor area. The impoverished people subject themselves to various indignities in the name of moviemaking in order to win a little food. The central character is hoisted up on a cross for filming, and dies there. Finally comes Gregoretti's 'Free Range Chicken' ('Il Pollo Ruspante') in which a family of the materialist culture inadvertantly illustrate the cynical, metallic voiced doctrine of a top sales theorist.