Truffaut, François, Bassiak, Boris, Moreau, Jeanne, Serre, Henri, Urbino, Vanna, Werner, Oskar	...	(Director)
Henri-Pierre Roché, François Truffaut	...	(Writer)
Jeanne Moreau	...	Catherine
Oskar Werner	...	Jules
Henri Serre	...	Jim
Vanna Urbino	...	Gilberte
Serge Rezvani	...	Albert
Anny Nelsen	...	Lucie
Sabine Haudepin	...	Sabine, la petite
Marie Dubois	...	Thérèse
Michel Subor	...	Récitant
Boris Bassiak	...	Albert (as Bassiak)
Marcel Berbert	...	Executive Producer
Georges Delerue	...	Original Music Composer
Raoul Coutard	...	Director of Photography
Claudine Bouché	...	Editor
Fred Capel	...	Production Design

Comments: DFR 101

Summary: François Truffaut's third feature, though it's named for the two best friends who become virtually inseparable in pre-World War I Paris, is centered on Jeanne Moreau's Catherine, the most mysterious, enigmatic woman in his career-long gallery of rich female portraits. Adapted from the novel by Henri-Pierre Roché, Truffaut's picture explores the 30-year friendship between Austrian biologist Jules (Oskar Werner) and Parisian writer Jim (Henri Serre) and the love triangle formed when the alluring Catherine makes the duo a trio. Spontaneous and lively, a woman of intense but dynamic emotions, she becomes the axle on which their friendship turns as Jules woos her and they marry, only to find that no one man can hold her. Directed in bursts of concentrated scenes interspersed with montage sequences and pulled together by the commentary of an omniscient narrator, Truffaut layers his tragic drama with a wealth of detail. He draws on his bag of New Wave tricks for the carefree days of youth--zooms, flash cuts, freeze frames--that disappear as the marriage disintegrates during the gloom of the postwar years. Werner is excellent as Jules, a vibrant young man whose slow, melancholy slide into emotional compromise is charted in his increasingly sad eyes and resigned face, while Serre plays Jim as more of an enigma, guarded and introspective. But both are eclipsed in the glare of Moreau's radiant Catherine: impulsive, demanding, sensual, passionate, destructive, and ultimately unknowable. A masterpiece of the French New Wave and one of Truffaut's most confident and accomplished films. --Sean Axmaker