Saturday, January 31, 2015
Join us for an engaged conversation with those who serve transnational South Asian communities and those who write about the structures that perpetuate gender-based violence in all its forms. How it is represented and how it is being responded to? What are the concerns specific to communities in Houston?
For more information visit http://www.uh.edu/class/ws/
Antena is a language justice and language experimentation collaborative founded in 2010 by Jen Hofer and John Pluecker, both of whom are writers, artists, literary translators, bookmakers and activist interpreters. FromJ anuary 18 – May 10, 2014, Antena will be in residence at Blaffer, where they will inhabit various spaces of the museum to explore how critical views on language can help us to reimagine and rearticulate the worlds we live in.
For more information visit: http://www.
The telenovela is one of the most popular products of Latin America. It is a format that exploits the world market through the articulation and preservation of cultural difference, and at the same time serves as a powerful tool of self-representation and the re-signification of the continent’s colonial legacy. soy mi madre (2008) by Phil Collins and Crying for the March of Humanity (2012) by Christian Jankowski both employ the format of the telenovela for critical purposes that draw on the aesthetics of the melodrama to talk about issues of immigration, class and race, and the relationship between arts, media and politics.
For more information visit: http://www.blafferartmuseum.org/melodrama-on-tv-works-by-phil-collins-and-christian-jankowski/
The University of Houston Libraries now offers a series of technology training courses open to all UH students, faculty and staff. Courses cover Microsoft Office: Word, Excel, Access and PowerPoint, and content are tailored for basic, intermediate and advanced skill levels. More courses will be added to the rotation, including training on software such as Outlook, Adobe Photoshop, InDesign and other commonly-used programs. Sessions run for 30 minutes to 2 hours, depending on the topic and skill level, and most sessions will take place in the Learning Commons training areas. Requests for group training will be considered in the future.
The full training calendar is posted online and is updated on a monthly basis. Seating is limited to about 15 people per session and currently first come, first serve basis.
See upcoming Training Sessions: http://info.lib.uh.edu/
By Timberlake Wertenbaker
Directed by Jack Young
In June 1789 in the penal colony that was later to become the city of Sydney, a marine lieutenant decides to put on a play to celebrate the king's birthday. He casts the play with the English convicts who populate this distant Australian prison camp. Few of them can read, let alone act, and the play is being produced against a background of food shortages and barbaric punishments--brilliantly juxtaposed against the civilizing influence of theatrical endeavor. The "hangman," himself a convict, has been recruited along with a woman, wrongfully accused of stealing. Even as the play is being rehearsed, he measures her for a noose